Festivals are praised as the perfect places for up-and-coming artists to gain the exposure they need to grow their careers. Many emerging artists wonder, however, how to get booked for a festival in the first place. Where does one even start without prior experience? In this article, we’ll walk you through our key recommendations for getting booked for your first (or even a second or third) music festival!

Les festivals sont considérés comme le cadre idéal pour permettre aux artistes émergents d'acquérir la notoriété dont ils ont besoin pour développer leur carrière. De nombreux artistes émergents se demandent toutefois comment se faire programmer dans un festival. Par où commencer si l'on n'a pas d'expérience dans ce domaine ? Dans cet article, nous vous présentons nos principales recommandations pour décrocher un cachet pour votre premier (ou même votre deuxième ou troisième) festival de musique !

There have been a lot of misconceptions about, as well as a tiny bit of a mystery surrounding music publicists. Who is a music publicist? What do they do? And do independent artists need them? In this article, we’ll give you all the information you need to understand the work of music publicists and make an informed decision as to whether you need one or not.

While there’s no doubt that every music genre is highly competitive, classical music presents a variety of aspects that makes it unique and so, perhaps, more difficult to break through. For one, its musical language is often more formal and structured, and its style tends to be more complicated, comprising multiple simultaneous music ideas and varied harmonic progressions. For one to succeed, they must spend considerable time practicing. What’s more, in classical music, it’s often the composers, not the players, who are considered relevant – even though many of them passed away a long time ago. As a musician, it may be more intricate to build a name for yourself. So how does one get ahead in their classical music career? We’ve got a few tips for you!